and the reality plays of August Strindberg. The paper will be specifically concerned with A Dream Play and The Ghost Sonata (dream plays), and The Father and Miss Julie (reality plays).
The first important point to be developed in such research is that the dividing line between the two types of plays becomes less clear the more deeply one examines the plays themselves. Indeed the very application of the terms dream and reality must be questioned.
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In writings on Strindberg and his dramatic work, the word naturalistic is as often used as realistic in describing such plays as The Father and Miss Julie. And, in this regard, more critical energy is spent on separating such plays from the …