A review of the book, “The Year of the Heroic Guerrilla: World Revolution and Counterrevolution in 1968” by Robert V. Daniels. This paper discusses the book “The Year of the Heroic Guerrilla: World Revolution and Counterrevolution in 1968” by Robert V. Daniels. The paper includes a personal reaction to the book. World politics of 1968 are analyzed and explained. The paper shows how the author attempts to illustrate the unrest that covered the globe that year, and to explain why it was such a pivotal time in history. “Some of the chapters were extremely sympathetic and made me appreciate the freedom we often take for granted her in the United States. In “Prague,” for example, it was chilling to watch as the Soviet occupational forces entered the radio station and made them stop broadcasting. We simply know this could not happen in our own country, and so are complacent. Seeing it really happen in modern history is eerie. Sometimes the book made me feel sadness for the oppression of people, and sometimes anger at that same oppression. I was equally angry at the Soviets, and at the Chicago police, and could not truly see much difference in their bullying tactics. As Ribicoff said, “With George McGovern we wouldn’t have Gestapo tactics on the streets of Chicago (Daniels 218).
Compares the novel “Do Androids Dream of Electric Sheep” with the movie version of the novel “Blade Runner”. write my essay for me reviews
The essay compares Philip K. Dick’s novel Do Androids Dream of Electric Sleep with the movie based upon the novel, director Ridley Scott’s Blade Runner. This essay argues that Dick’s novel differs significantly from the film Blade Runner in that it is far more concerned with philosophical issues associated with the cyberpunk genre – such as the nature of consciousness, and moral issues associated with artificial intelligence – than is the film. 9 pgs. 3 sources.
Comparison of mental illnesses between James Thurber’s novel, The Secret Life of Walter Mitty and Notes of a Native Son by James Baldwin.
Essay discusses two forms of mental illnesses portrayed in two different characters. The first character Walter Mitty is from The Secret Life of Walter Mitty, by James Thurber and the second is James Baldwin in an autobiographical essay called Notes of a Native Son. Both Mitty and Baldwin have endured abuse and from their abuse stemmed their illnesses. The paper shows however, that while Mitty is seemingly unaware of his affliction, Baldwin is conscious of the illness, which was exemplified in his father. The ways in which their ignorance and self-awareness of their illnesses changes their outlooks and affects them are explored. Walter Mitty appears to the reader as a timid, almost broken man under the constant criticism and flow of abuse of his wife. Because of the constant harassment, Mitty creates strong daydreams to escape into; daydreams that are triggered by words spoken from the external environment that filtered into his mind and broken each time by events from the external environment as well. These daydreams are introduced to the reader from the very beginning such as when Mitty imagines himself to be a daring Commander who takes his Navy crew through a hurricane. The crew, bending to their various tasks in the huge, hurtling eight-engined Navy hydroplane, looked at each other and grinned. The Old Man’ll get us through, they said to one another. The Old Man ain’t afraid of Hell! (Thurber 72-73). From this we can see Mitty’s need for reassurance that he is needed and wanted. The way that the “Old Man” is capitalized shows deference from the crew, which is probably how Mitty wants, to be respected.”
The poet Auden has said that Kafka is important to us because his predicament is the predicament of modern man. This essay examines the truth of the statement based on Kafka’s novella, `The Metamorphosis`.
Modern man is in a predicament. He cannot please everyone. He cannot do any thing right. Kafka had personally experienced this situation. He vividly portrayed it in his writing, which are autobiographical in a sense. With `The Metamorphosis` as a basis, but drawing upon other sources as well, this essay begins by providing a definition of `modern man` and then examines the genesis, the nature and the consequences of the predicament. Ultimately the essay explores the way to come out of the predicament. `The value of a work of literature, or of any other creative endeavor, lies in its universal appeal. Kafka’s novella The Metamorphosis is a widely acclaimed landmark of twentieth century literature. We can completely empathize with Gregor Samsa, the protagonist of The Metamorphosis. Samsa’s concerns are our concerns. W.H.Auden very aptly says, `Kafka is important to us because his predicament is the predicament of modern man.`  The Metamorphosis can be read at various levels. At the simplest it is a bizarre tale of the transformation of a young man into a `monstrous vermin`. How the provider of the family becomes an alien in his own home appears to be a tale of pure fantasy. But at a deeper level it is a tale of the author himself. Samsa, the name of the protagonist, is a cryptogram for Kafka.  Samsa’s family situation is very similar to Kafka’s. In a letter to his father written in 1919 (a letter which was never sent) Kafka accuses him of wanting to live off Kafka.  In the novella Gregor’s father is living off Gregor’s income despite having saved a reasonable sum of money from his collapsed business. But most important, Gregor’s suppressed desires and emotions are really those experienced by Kafka. We finally realize, without being told, that Gregor’s predicament is not only that of Kafka, but that of modern society as well. We come to this realization because we have read works of other writers that deal with this issue, we have known about people who have been plagued by this predicament and to a varying degree we have experienced it ourselves.`
Traces the literary career and flamboyant lifestyle of this great American author.
This paper provides a brief biography of F. Scott Fitzgerald, from his birth in Minnesota in 1896 to his education at Princeton. It then traces his writing career and his marriage to Zelda through the turbulent Twenties and shows how his extravagant lifestyle affected his personal and professional life. The paper examines the extent of Fitzgerald’s popularity during his life and how he became an icon of American literature after his death. Fitzgerald did however end up a writer’s writer essay writer australia, looking beyond circumstance and seeing the American dream as a continuing defining characteristic of the American nation and its people and is a recurring phenomenon in each phase, place and guise of Fitzgerald’s imagination of American experience` (Callahan pg). Fitzgerald wrote, `The American story is the history of all aspiration , not just the American dream but the human dream` (Callahan pg). His novels are enactments of the American dream, expressed in love affairs and ambitions of his characters such as Jay Gatsby in `The Great Gatsby”, Dick Diver in ‘Tender is the Night and Monroe Stahr in The Last Tycoon(Callahan pg). Diver, Gatsby, and Stahr are all men with big ambitions, they want to be leaders of men, to be admired, just as Fitzgerald wanted to be a great writer, a writer’s writer (Callahan pg).
An analysis of Gertrude’s role in the elder Hamlet’s death in William Shakespeare’s `Hamlet`.
This paper discusses how William Shakespeare’s Hamlet, Prince of Denmark is the timeless revenge tragedy of young Hamlet trying to avenge his murdered father. It looks at how many other subplots or hinted subplots are mentioned throughout the text and how one of these involves Gertrude, the mother of Hamlet, and her role in the elder Hamlet’s death. It examines how some say that Gertrude’s only faults in the play are marrying too quickly and too incestuously, while others argue that she had some or all of the knowledge of her husband’s death. It attempts to show how, throughout the play, Gertrude seems very suspicious and how she does, indeed, have some knowledge of her late husband’s murder. From the beginning of the play, the reader becomes aware that something is not right with Gertrude’s emotions. Clearly, she seemed to have loved the elder Hamlet before his death. Shakespeare even describes young Hamlet saying that Gertrude would hang on [elder Hamlet] as if increase of appetite had grown by what it fed on (1.2.144-146). In this passage, Gertrude seems as if she could not live without the man. Yet she marries her brother-in-law Claudius within a month of elder Hamlet’s death. The question of her love for her dead husband has to be brought up when she marries his own brother! Also within months of elder Hamlet’s death, she remarks about the death coldly, all that lives must die, passing through nature to eternity(1.2.72-73).
A review of Elijah Anderson’s The Code of the Streets.
This paper examines Elijah Anderson’s “The Code of the Streets” which introduces the idea that violence, aggression, stealing and other socially deviant behaviors are not perceived as infractions of rules, but rather conforming to a different standard, a different set of rules. Anderson does an adequate job of setting forth his ideas, along with providing sufficient evidence to support them. It criticizes Anderson’s perspective of street families and decent families when he describes inner city life and his portrayal of abusive mothers who beat their children and let them run riot. The contrasts between street families, and decent families are not always easily observed. As Anderson points out, most street families appear on the surface to be decent families. (Anderson, p. 157) The appearance of having calm, respectful children is often what the mother wants most, more than happy children. (Anderson, p. 157) Her desire for such a family is often so strong that she is quick to beat her children if they defy her law. (Anderson, p. 157) Anderson concludes that this abusive behavior is often perceived as acceptable behavior within the inner city the disapproval from the wider society as a whole. (Anderson, p. 157)
A review of Ernest Hemingway’s novel `A Farewell to Arms.`
This paper examines Ernest Hemingway’s novel A Farewell to Arms. based on Hemingway’s memories of driving an ambulance during World War I. Many of Hemingway’s novels are semi-autobiographical and the character of Frederic Henry is in fact modeled on himself and part of the story on his relationship with his wife. It shows that while this is a novel of memory, it is also a novel of self-discovery, structured to show the self-exploration and self-discovery of Frederic who’s character changes from the beginning of the novel to the end. It analyzes how the title of the novel has a dual meaning, for by the end of the novel the Frederic Henry will have been tested by arms, meaning the tools of war and he will have been held by the arms of his wife. He says farewell to both, to the war as he deserts and to his wife because she dies. `It is, of course, through his relationship with Catherine that his ability to care is brought forth most clearly so that it becomes a part of his overt personality. Catherine, for her part, is drawn to Frederic precisely because he is not deceptive, whether that is because he does not care enough or not. Catherine `defines herself as someone living life as fully as she can` (Hays 62), and `her love and devotion convert Frederic Henry from a selfish, uncaring individual to one who loves, who shares, and who serves others` (Hays 62). The relationship mirrors the one Hemingway himself had with Agnes, as noted, and he uses the story in the novel as a metaphor for his reality.`